mariontamponlajarriette.com

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	<title>mariontamponlajarriette.com</title>
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	<pubDate>Sat, 08 Mar 2025 20:16:02 +0000</pubDate>
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		<title>Page works</title>
				
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		<pubDate>Fri, 19 Apr 2019 10:49:23 +0000</pubDate>

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		<title>Out of Water</title>
				
		<link>https://mariontamponlajarriette.com/Out-of-Water</link>

		<pubDate>Sat, 08 Mar 2025 20:16:02 +0000</pubDate>

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		<description>Out of Water&#38;nbsp;


(Fuera de las Aguas)&#38;nbsp;

Co-creation with artist and architect Iván Cáceres (La Paz, Bolivia)2024
Video, photo, performance, installation, soundscape, photo objects 


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Our collaboration emerged following a residency at the end of 2023, when we began exchanging our research on water across diverse cultural and ecological ecosystems, focusing particularly on our respective regions—the Alps and the Andes. By intertwining artistic and scientific inquiries with oral histories, acts of care, speculative fiction, and philosophical reflections on water, this project seeks to uncover the multiple narratives carried by water—its many voices echoing through myths, fights, and speculations.


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These hybrid narratives take shape through a constellation of fantastical beings—digital and organic chimeras born from tales and data—performing within critical andine and alpine landscapes where we conducted several collaborative video filmings throughout 2024 and 2025. We traveled upstream along the Rhône through a series of ritual performances dedicated to the river, from its exit at Lake Geneva to its source at the rapidly melting Rhône Glacier. Other sites included places known for their energetic and geobiological properties, as well as locations marked by major pollution scandals, such as Blausee in the Bernese Oberland—an idyllic “blue lake” affected by the toxic burial of unsold Swiss army weapons nearby. In Bolivia, we filmed performances at critical sites around lagoons contaminated by uncontrolled mining, such as Milluni, and on the Island of the Moon in Lake Titicaca, a sacred cosmogonic site for the Aymara and Quechua peoples, where water levels and quality are declining at an alarming rate.
In a world where water is increasingly threatened—privatized, polluted, and commodified—our ongoing research seeks to relearn how to listen to water, recognize its polyphonic voices, and create a fluid, collective cartography where water can be activated as an agent of storytelling, resistance, and interconnection.


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- - version française - -
 

Notre collaboration est née à la suite d’une résidence fin 2023, lorsque nous avons commencé à croiser nos recherches sur l’eau au cœur de divers écosystèmes culturels et écologiques, en particulier ceux de nos régions respectives : les Alpes et les Andes. Entremêlant recherches artistiques et scientifiques, récits oraux, actes de soin, fictions spéculatives et réflexions philosophiques sur l’eau, ce projet cherche à révéler les multiples histoires qu’elle porte—ses nombreuses voix résonnant à travers les mythes, les luttes et les spéculations.


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Ces récits hybrides s’incarnent dans une constellation d’êtres fantastiques—chimères numériques et organiques nées de récits et de données—performant dans des paysages andins et alpins critiques où nous avons mené plusieurs tournages collaboratifs en 2024 et 2025. Nous avons remonter à contre-courant le Rhône à travers une série de performances rituelles dédiés à ces eaux, à leurs origines et à leurs devenirs, depuis sa sortie du lac Léman jusqu’à son origine au glacier du Rhône, en état de fonte avancé. D’autres sites traversés par le projet sont des lieux connus pour leurs propriétés énergétiques et géobiologiques, ou encore pour leur affaires de pollution scandaleuses. C’est la cas de Blausee, dans l’Oberland bernois ; « lac bleu » au cadre idyllique ayant pourtant subis les effets toxiques d’enfouissements secrets d’armes invendues de l’armée suisse dans des terrains voisins. En Bolivie, nous avons filmé plusieurs performances sur des sites critiques autour de plusieurs lagunes contaminées par l’activité minière incontrôlée telle que Milluni ou encore sur l’île de la Lune du lac Titicaca; lieu sacré des origines cosmogoniques des peuples Aymara et Quechua où le niveau des eaux et leur qualité baissent de façon alarmante.
Dans un monde où l’eau est de plus en plus menacée—privatisée, polluée, marchandisée—ce projet évolutif invite à réapprendre à l’écouter, à reconnaître ses voix polyphoniques et à esquisser ensemble une cartographie fluide où l’eau devient un agent de récit, de résistance et d’interconnexion.


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Out of Water&#38;nbsp;

2024 / 2025
camera &#38;amp; editing : Marion Tampon-Lajarriette and Iván Cáceres

performance : Iván Cáceres, Marion Tampon-Lajarriette, Julie Pervangher, Lucien Walker, Athéna Gaëlle Ylween, 
Maria Maria

drone camera : José Gabriel Mamani, Fernanda Janeth Quishpe

make-up : Stella Peyramaure

costumes : Iván Cáceres, Marion Tampon-Lajarriette, Pascaline Budry

audio creation : Lucien Walker, Patrick Schleuter, Iván Cáceres, Marion Tampon-Lajarriette

voices : Munaya T'ika, Li Chaolin, Tahani Hassan, Libia Yuritzi Contreras Yttesen, Sophie Huguenot Kilgarriff, Marion Tampon-Lajarriette 

photography : Marion Tampon-LajarrietteUV lights assistance : Cathy Scaramuzzi, Beltan, Dobermann VJ, Fabiola Moron


research partners and guides : Maria Maria, Comunidad Koati Isla de la Luna - Titicaca, Francisco Antonio Mamani Amaru, Maria Magdalina Mendoza Ramos, Casa de las Culturas Wayna Tambo, Churla, Gabriel Cotte, Association Mycélium, Pour un Conseil Diplomatique des Bassins-Versants, Les Vagues de la Révolte


With support of :

Pro Helvetia South America
PATIÑO Foundation, La Paz
FCAC Geneva
FMAC Geneva
Utopiana, Geneva
Materia Gris, La Paz
Caring Art Geneva
</description>
		
	</item>
		
		
	<item>
		<title>Yaku Mama</title>
				
		<link>https://mariontamponlajarriette.com/Yaku-Mama</link>

		<pubDate>Sun, 16 Jun 2024 14:45:29 +0000</pubDate>

		<dc:creator>mariontamponlajarriette.com</dc:creator>

		<guid isPermaLink="true">https://mariontamponlajarriette.com/Yaku-Mama</guid>

		<description>Yaku Mama Wajiay&#38;nbsp;


(Calling of Mother Water)&#38;nbsp;

Video installation 2023,&#38;nbsp;26'00 &#38;amp; 13'00, stereo audio, colour1 floor video projection on salt 3,5 x 2m1 video projection on wood panel 3,5 x 2m


&#38;nbsp;&#60;img width="2052" height="1373" width_o="2052" height_o="1373" data-src="https://freight.cargo.site/t/original/i/341f4818b11da2bf584cc9360e7ecc851388d2ae6db69fae09dd019207e1e593/4U3A3096-retouche02-recadreweb45.jpg" data-mid="213005429" border="0"  src="https://freight.cargo.site/w/1000/i/341f4818b11da2bf584cc9360e7ecc851388d2ae6db69fae09dd019207e1e593/4U3A3096-retouche02-recadreweb45.jpg" /&#62;


The large format double projection reflects a shared experience on the edge of what remains of the 2nd largest lake in Bolivia, almost completely dried up today. The team composed of the visual artist, a healing musician, a researcher, a sound engineer and a filmmaker go at dusk to where the little water of Lake Poopó still persists, and where the pink flamingos continue to come and breed; beyond a vast desert of salt and then mud which extends ever further towards the setting sun. Echoing ancestral Quechua indigenous practices, a ritual to call upon these vanished waters is improvised to the rhythms of these birdsongs and of the quickly fading light at this altitude of 3,800 meters. This is one of the most affected lake areas of the Andean high plateau; prey to both pollution from mining activities, over-consumption of water from agriculture and global warming phenomena which are accelerated on these arid high altitude plateaus. In the exhibited installation, the images from the two cameras are transcribed on a salt ground such as the moving reflection of this moment or its dreamed side, and on a cut-out wooden panel referring to the characteristic silhouette of the traditional houses of the « Water People »; the local indigenous community of the Urus finding themselves deprived of their resources and the very sources of their ancestral culture based on this disappeared lake.

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/eb4b05eafdd405474de3790f2d8fbf5829cb332c4b859c1689ce53eb05e2230f/Ic_B-6.jpg" data-mid="213005443" border="0"  src="https://freight.cargo.site/w/1000/i/eb4b05eafdd405474de3790f2d8fbf5829cb332c4b859c1689ce53eb05e2230f/Ic_B-6.jpg" /&#62;


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9628dd0a1e781d7e158d5a5409e7853d977a0090721652d32669915b8f55a3a0/C-0hv8.jpg" data-mid="213005448" border="0"  src="https://freight.cargo.site/w/1000/i/9628dd0a1e781d7e158d5a5409e7853d977a0090721652d32669915b8f55a3a0/C-0hv8.jpg" /&#62;

- version française -
 

Cette double projection vidéo grand format reflète une expérience partagée à la lisière de ce qui reste du 2ème plus grand lac de Bolivie presque entièrement asséché aujourd’hui. L’équipe composée de l’artiste visuelle, d’une musicienne guérisseuse, d’une chercheuse, d’une ingénieuse du son et d’une cinéaste se rendent au crépuscule jusque là où le peu d’eau du lac Poopó persiste encore et où les flamands roses continuent de venir se reproduire ; au-delà d’un vaste désert de sel puis de boue qui s’étend toujours plus en direction du soleil couchant. En écho aux pratiques indigènes ancestrales Quechua, un rituel pour appeler ces eaux disparues s’improvise aux rythmes des chants de ces oiseaux et de la lumière s’éteignant rapidement à cette altitude de 3800 mètres. Il s’agit d’une des zones lacustres les plus sinistrées du haut plateau andin, en proie à la fois aux pollutions des activités minières, à la surconsommation d’eau de l’agriculture et aux phénomènes de réchauffement climatiques qui se trouvent accélérés sur ces plateaux arides de hautes altitudes. Dans l’installation exposée, les images issues des deux caméras se retranscrivent au sol sur le sel tel le reflet mouvant de ce moment ou de sa face rêvée, et sur un panneau de bois découpé renvoyant à la silhouette caractéristique des maisons traditionnelles du « Peuple de l’eau&#38;nbsp;», la communauté indigène locale des Urus se trouvant privée de leurs ressources et des sources mêmes de leur culture lacustre ancestrale.
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&#60;img width="1349" height="1063" width_o="1349" height_o="1063" data-src="https://freight.cargo.site/t/original/i/83231128305a649183a36822edb6c9c01ebbf8564527a0924ff9e904dd94eb69/IMG_1729-retouchWeb45.jpg" data-mid="213005431" border="0"  src="https://freight.cargo.site/w/1000/i/83231128305a649183a36822edb6c9c01ebbf8564527a0924ff9e904dd94eb69/IMG_1729-retouchWeb45.jpg" /&#62;


Yaku Mama Wajiay&#38;nbsp;
(Calling of Mother Water)

performance : Munaya T'ika - Claudia Noemy Flores Flores


research : Violeta Yajaira Veliz Munoz


direction &#38;amp; camera : Marion Tampon-Lajarriette


camera 2 : Sofia Moreno Vargas


audio : Selene Gutierrez Velasquez


coordination : Iris Sigalit Ocampo Gil


Colectivo Audiovisual Mujeres Espiral - Bolivia


guide &#38;amp; communication : Lidia Essen Arancibia


With support of :


Pro Helvetia South America
Kiosko Gallery
FCAC Geneva 
FMAC Geneva
Caring Art Geneva


</description>
		
	</item>
		
		
	<item>
		<title>Water on the Moon</title>
				
		<link>https://mariontamponlajarriette.com/Water-on-the-Moon</link>

		<pubDate>Mon, 25 Sep 2023 15:39:22 +0000</pubDate>

		<dc:creator>mariontamponlajarriette.com</dc:creator>

		<guid isPermaLink="true">https://mariontamponlajarriette.com/Water-on-the-Moon</guid>

		<description>Water on the Moon


Solo show, KIOSKO Art Center, 2023


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-Français en bas de page -

Context of the project 
The exhibition « Water on the Moon » is part of OPHELIA ; an ongoing collaborative art &#38;amp; science project based on the anthropogenic, natural and cultural evolutions of water in different places of the planet. It takes its source in a growing collaborations web of ecologist associations, indigenous inhabitants, artists and scientific partners.


In the frame of her residency programme in Bolivia (Pro Helvetia &#38;amp; KIOSKO Art Center), Marion Tampon-Lajarriette developed a network of only female and local collaborators who add their perspectives to this growing eco-feminist study. This constellation of women _ researchers, healers, musicians, audiovisual directors, journalists, craftswomen _ shared their experiences and embark on new experiments together in their journey through some of the most severely affected bodies of water in Bolivia (Poopó and Uru Uru Lakes and several rivers and lagoons). Walks, interviews, workshops, performances, video shootings…the diversity of forms of this project’s growing database is called to continue evolving into diverse formats of presentation such as films, multi-medium installations, online evolutive archive, talks, etc.


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The exhibition « Water on the Moon _ Señales hidro-líticas » 


Presented at the KIOSKO Art Center (Santa Cruz de la Sierra, Bolivia) , the show articulates parts of this research in the form of multi-screen video installations and a series of evolving ceramics occupying the different exhibition spaces of the center. Several recurring elements are present :


Hands interacting, holding and caring the water 
Reflections : perceived as distorting mirrors, supports for predictions or divination, and tools for archaeo-astronomical observations
Salt : a critical element of Bolivia linked both to the problem of drying up of its lakes and to the biggest production of lithium, crucial element for global electronics consumption
Waste : liquid screens from local recovery circuits, broken anthropomorphic vases inspired by Bolivian archaeological fragments where the rot of different spilled liquids grows (beer, milk, dulce de leche).


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- Version française -


Introduction - contexte du projet :
L’exposition L'Eau sur la Lune fait partie du projet collaboratif artistique et scientifique OPHELIA qui enquête sur les évolutions anthropiques, naturelles et culturelles de l'eau dans différents endroits du monde. Ce projet en cours prend sa source dans un réseau grandissant de collaborations entre associations écologistes, habitantexs autochtones, artistes et partenaires scientifiques de différents pays.
Dans le cadre de sa résidence de création en Bolivie (Pro Helvetia et centre d’art Kiosko), Marion Tampon-Lajarriette a initiée un réseau de collaborations locales avec un ensemble de femmes apportant leurs perspectives à cette étude éco-féministe évolutive. Chercheuses, guérisseuses, musiciennes, réalisatrices audiovisuelles, journalistes, artisanes ; elles ont pu à la fois partager leurs expériences et mener de nouvelles expérimentations ensemble lors de voyages vers les zones d'eau les plus gravement touchées de Bolivie (lacs Poopó et Uru Uru et plusieurs rivières et lagunes). Marches, entretiens, workshops, performances, tournages vidéo ; une diversité d’expériences alimentent la base de données grandissante de ce projet appelé à évoluer sous les formes diverses de films, installations multi-média, archives évolutives en ligne, tables rondes, etc.


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L’exposition « L'Eau sur la Lune _ Señales hidro-líticas » 

Présentée au centre d’art KIOSKO (Santa Cruz de la Sierra, Bolivia), l’exposition articule une partie des ces recherches sous la formes d’installations vidéos multi-écrans et d’une série de céramiques évolutives occupant les différents espaces d’exposition du centre. Plusieurs éléments s’y trouvent récurrents: 


Les mains agissant avec l’eau et cherchant à la retenir
 Les reflets perçus à la fois comme miroirs déformants, supports de prévisions ou de divination, et outils d’observations archéo-astronomiques
Le sel ; élément critique de Bolivie à la fois lié au problème d’assèchement de ses lacs et à la plus grande production de lithium, cruciale pour la consommation mondiale en électronique&#38;nbsp;


Les déchets ; écrans liquides issus de circuits de récupération locale, vases anthropomorphiques brisés inspirés des fragments archéologiques boliviens où croit la pourriture de différents liquides déversés (bière, lait, dulce de leche).


With support of :


Pro Helvetia South America
Kiosko Gallery
FCAC Geneva 
FMAC Geneva
Caring Art Geneva


</description>
		
	</item>
		
		
	<item>
		<title>Ophelia &#38; Santiago</title>
				
		<link>https://mariontamponlajarriette.com/Ophelia-Santiago</link>

		<pubDate>Fri, 18 Nov 2022 21:33:40 +0000</pubDate>

		<dc:creator>mariontamponlajarriette.com</dc:creator>

		<guid isPermaLink="true">https://mariontamponlajarriette.com/Ophelia-Santiago</guid>

		<description>Ophelia &#38;amp; Santiago


Video, 


color, stereo audio, 20’10’’, 2022


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The video Ophelia &#38;amp; Santiago, A river story of love and tears from Geneva (CH) to Jalisco (MX)&#38;nbsp;is part of an ongoing collaborative art &#38;amp; science project based on the anthropogenic, natural and cultural evolutions of water in different places of the Earth. It takes its source in a growing collaborations web of ecologist associations, indigene inhabitants, artists and scientific partners.


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The title of the project is referencing to the famous Shakespearean character from the play Hamlet&#38;nbsp;: the young Ophelia who is dying drowning in a river while picking up flowers. She constitutes a strong image in collective imaginary that assembles the ambivalent connotations of water linked with pureness, youth, origins as well as melancholy and death.

 
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This chapter of Ophelia project is based in the regions of Geneva lake (CH-FR) and Guadalajara - Santiago river (MX). Through investigations and actions already underway concerning the Santiago River in Jalisco State, it participates in recording scientific datas and trace topologies and connections to Geneva Lake that hold stories, conceptual analogies and their poetic/scientific/social potentials.
The video intermingles local researches based on ethnography, political and scientific sources, together with myths, rumours, anticipation tales and philosophical notions. The logic of a rhizomatic research allows for multiple, non-hierarchical entry and exit points, and carry a strongly polysemic dimension, using the potentials of both tales and datas.


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In collaboration with :

Ana Torres Villarreal, Alterra Association, Un Salto de Vida Association 

Le Chimiscope, Université de Genève


Co-production : Fondation Ernst et Lucie Schmidheiny, Université de Genève, Association Un Salto de Vida</description>
		
	</item>
		
		
	<item>
		<title>Tacande</title>
				
		<link>https://mariontamponlajarriette.com/Tacande</link>

		<pubDate>Mon, 20 Dec 2021 16:49:38 +0000</pubDate>

		<dc:creator>mariontamponlajarriette.com</dc:creator>

		<guid isPermaLink="true">https://mariontamponlajarriette.com/Tacande</guid>

		<description>Tacande&#38;nbsp;
Solo show at Galerie Laurence Bernard, Geneva 2021


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“Tacande”&#38;nbsp; &#38;nbsp; &#38;nbsp; Ceramic series (volcanic clay, natural pigments) various dimensions, 2021

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“Podomorfos” &#38;nbsp; &#38;nbsp;&#38;nbsp; Digital prints on wood, series of 4 diptychs, 60x90x2cm each, 2021


- Version française en bas de page -
Immersed in the desert landscapes of the island of Lanzarote and in my research on the geology and archaeology of the Canary Islands, the mysterious «podomorfos» called out to me. They are traces in the rock symbolizing pairs of feet, found near the rare water sources and panoramic high viewpoints. On these hostile lands, Humanity had marked its presence, or that of its gods; those who «have been here».


The series of images and interventions in the landscape was realized in Lanzarote island during the winter of pandemic crisis 2020/2021. Made with the clay of these volcanic soils, these forms are haunted by local traditions and legends; the indigenous Guanche heritage of these islands, its pottery and symbols inscribed in the landscape. The Guanches were the indigenous people of the Canary Islands whose pre-Hispanic culture and language have disappeared, leaving few traces.


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These landscapes, as if from the beginning of time, were all the more deserted in times of global health restrictions. In the video diptych “Ballad of the holobiont” , these same sites are inhabited by elements inspired by unicellular micro-organisms; the first forms of life that appeared on Earth. These invisible bacteria and parasites which, present in all environments and on all surfaces, also makes part of us in large part.
 
The series of ceramics “ Tacande ” *, made according to local traditional practices, uses only the elements found on the spot; the burnt earth of this island, clayey, colored, and the tools reduced mainly to the stones and bones found, and to our hands. And this ancestral art of working the four elements; earth with water and air, from modeling or drying, ends with a big fire.


* Tacande : «scorched earth / volcano » in guanche ; pre-Hispanic Canary language, now extinct)


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“Ballade de l’holobionte” (Tonada del holobionte)&#38;nbsp; &#38;nbsp; &#38;nbsp; Video diptych, 8’50’’min, stereo audio, 2021

La série d’images “Podomorfos” a été réalisée sur l’île du Lanzarote au Canaries pendant l’hiver de crise pandémique 2020/2021. Réalisées avec l’argile de ces sols volcaniques, ces formes sont hantées par les traditions et légendes locales ; l’héritage autochtone guanche de ces îles, ses poteries et symboles inscrits dans le paysage. Les Guanches constituaient le peuple autochtone des îles Canaries dont la culture et la langue préhispaniques ont disparus en laissant de rares traces. Ces paysages désertiques comme issus du début des temps apparaissaient d’autant plus déserts au coeur d’une des périodes de restrictions sanitaires mondiales. Les recherches archéologiques de ces îles révèlent la récurrence des mystérieux « podomorphes » symbolisant des paires de pieds gravés dans la roche souvent près des rares sources d’eau. Sur ces terres hostiles, cette civilisation aujourd’hui éteinte semblait marquer sa présence, ou celle de leurs dieux ; celles et ceux qui « ont été ici ».


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“Podomorfos” &#38;nbsp; &#38;nbsp;&#38;nbsp; Digital prints on wood, series of 4 diptychs, 60x90x2cm each, 2021

Dans le diptyque vidéo « Ballade de l’holobionte », ces mêmes paysages volcaniques sont habités par des éléments inspirés de micro-organismes unicellulaires; premières formes de vie apparues sur Terre. Ces bactéries et parasites invisibles qui, présents dans tous les milieux et sur toutes les surfaces, nous constituent aussi en grande partie.
 
La série de céramique « Tacande » *, réalisée selon les pratiques traditionnelles locales, utilise uniquement les éléments trouvés sur place ; la terre brûlée de cette île, argileuse, colorée, et les outils réduits principalement aux pierres et os trouvés, et à nos mains. Et cet art ancestral de travailler les quatre éléments; la terre avec l’eau et l’air, du modelage ou séchage, finit par un grand feu.* Tacande : « terre brûlée / volcan » en guanche ; langue préhispanique canarienne aujourd’hui éteinte


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“Tacande”&#38;nbsp; &#38;nbsp; &#38;nbsp; Ceramic series (volcanic clay, natural pigments) various dimensions, 2021


&#60;img width="1760" height="1173" width_o="1760" height_o="1173" data-src="https://freight.cargo.site/t/original/i/4ee996ac4336895bc6b3a8a074433d402759ec8df06c5c8a477dea6d1f11c145/_DSC1186.jpg" data-mid="192959411" border="0"  src="https://freight.cargo.site/w/1000/i/4ee996ac4336895bc6b3a8a074433d402759ec8df06c5c8a477dea6d1f11c145/_DSC1186.jpg" /&#62;
&#60;img width="1774" height="1183" width_o="1774" height_o="1183" data-src="https://freight.cargo.site/t/original/i/2df4c148275605ec9774af5476a16917a51d57c3ff67b2347edf84f169d64c13/_DSC1191.jpg" data-mid="192959409" border="0"  src="https://freight.cargo.site/w/1000/i/2df4c148275605ec9774af5476a16917a51d57c3ff67b2347edf84f169d64c13/_DSC1191.jpg" /&#62;


Solo show at Laurence Bernard gallery, Geneva 2021Exhibition photos : Yann Haeberlin


« Ballade de l’holobionte » (Tonada del holobionte)


video 3D &#38;amp; compositing : Dominique D.Hoarau - DH3D Studio


voice : Stéphanie Nuñez, Miriam Almendral


Ceramic series made in the workshops and with the help of José Miguel Clavijo Robayna


(Haría, Lanzarote) and José Aradas (Teguise, Lanzarote).


</description>
		
	</item>
		
		
	<item>
		<title>Vanitas</title>
				
		<link>https://mariontamponlajarriette.com/Vanitas</link>

		<pubDate>Wed, 01 Apr 2020 12:19:50 +0000</pubDate>

		<dc:creator>mariontamponlajarriette.com</dc:creator>

		<guid isPermaLink="true">https://mariontamponlajarriette.com/Vanitas</guid>

		<description>Vanitas


Video, stereo audio 3’ loop, 2020

&#60;img width="1344" height="756" width_o="1344" height_o="756" data-src="https://freight.cargo.site/t/original/i/1fe5469488d85423adc0a60be82b0a15750be17730b61a4d5bbed0f092c47a82/1_THERESA_FINAL_nostabilisation_10oct-2.jpg" data-mid="65321043" border="0"  src="https://freight.cargo.site/w/1000/i/1fe5469488d85423adc0a60be82b0a15750be17730b61a4d5bbed0f092c47a82/1_THERESA_FINAL_nostabilisation_10oct-2.jpg" /&#62;

Following the video Lacrimosa, the fragment of sculpture filmed in Vanitas is that of St. Teresa of Avila represented by Bernini in a state of ambivalent ecstasy. Digitally inlaid, a water vapor gradually soaks the surface of the museum showcase.


	&#60;img width="1344" height="756" width_o="1344" height_o="756" data-src="https://freight.cargo.site/t/original/i/f9bf383f22e51350d13a0e76849b04aaf60da543a3ccdf34f950af83c96a9c3a/1_THERESA_FINAL_nostabilisation_10oct.jpg" data-mid="65321166" border="0"  src="https://freight.cargo.site/w/1000/i/f9bf383f22e51350d13a0e76849b04aaf60da543a3ccdf34f950af83c96a9c3a/1_THERESA_FINAL_nostabilisation_10oct.jpg" /&#62;
	&#60;img width="1344" height="756" width_o="1344" height_o="756" data-src="https://freight.cargo.site/t/original/i/83ea4268896a3c12b4e002d0a9b8acbeb148b791d90b0ba27aafdae80605b5f8/1_THERESA_FINAL_nostabilisation_10oct-1.jpg" data-mid="65321233" border="0"  src="https://freight.cargo.site/w/1000/i/83ea4268896a3c12b4e002d0a9b8acbeb148b791d90b0ba27aafdae80605b5f8/1_THERESA_FINAL_nostabilisation_10oct-1.jpg" /&#62;
&#60;img width="1344" height="756" width_o="1344" height_o="756" data-src="https://freight.cargo.site/t/original/i/358da788532ed3e671a5ef3eba678aff792b0faca6ed013cce555582979688fb/1_THERESA_FINAL_nostabilisation_10oct-3.jpg" data-mid="65321749" border="0"  src="https://freight.cargo.site/w/1000/i/358da788532ed3e671a5ef3eba678aff792b0faca6ed013cce555582979688fb/1_THERESA_FINAL_nostabilisation_10oct-3.jpg" /&#62;
Marion Tampon-Lajarriette donne suite au projet vidéo&#38;nbsp;Lacrimosa. Le fragment de sculpture filmé ici est celui de Sainte Thérèse d’Avila représentée par le Bernin dans un état d’extase. Incrustée numériquement, une vapeur d’eau imbibe graduellement la surface de la vitrine d’exposition.


«Vanitas vanitantium...omnia vanitas.» &#38;nbsp;
« Vanity of vanities »&#38;nbsp; 
« Emptiness of emptinesses&#38;nbsp;»


In discussing the meaning of this biblical text, one literary critic notes the « metaphorical kernel » of the Hebrew word « hebel&#38;nbsp;». This word, translated in the Vulgate as vanitas, literally denotes vapor, breath, mist or fog, and by extension it comes to signify something that quickly passes away, something transient and lacking substance, something that can easily become nothing, in other words, emptiness, vanitas.


John Kitchen, Saints’ Lives and Rhetoric of Gender, 1998


3D creation and compositing : Dominique H.Hoarau - DH3D Studio

Production : Fondazione d’Arte Erich Lindenberg - Museo Villa Pia
</description>
		
	</item>
		
		
	<item>
		<title>The Lazy Clock</title>
				
		<link>https://mariontamponlajarriette.com/The-Lazy-Clock</link>

		<pubDate>Wed, 01 Apr 2020 13:03:15 +0000</pubDate>

		<dc:creator>mariontamponlajarriette.com</dc:creator>

		<guid isPermaLink="true">https://mariontamponlajarriette.com/The-Lazy-Clock</guid>

		<description>The Lazy Clock


Sound and light installation, video projections, quadraphonic audio, carpet, cushions, blue filters, 2019 


&#60;img width="2304" height="1536" width_o="2304" height_o="1536" data-src="https://freight.cargo.site/t/original/i/24f4eb05db03871ad472b1f0586e8c9e32c2b7399c242e23e505c5f3f597e84b/4U3A8273-web.jpg" data-mid="65325903" border="0"  src="https://freight.cargo.site/w/1000/i/24f4eb05db03871ad472b1f0586e8c9e32c2b7399c242e23e505c5f3f597e84b/4U3A8273-web.jpg" /&#62;

Filtrée au travers de grandes fenêtres, l’espace est baigné d’une lumière bleue foncée évoquant une artificielle tombée du jour étirée sur la durée de la journée entière et des heures d’ouverture de l’exposition. Au centre de la pièce, un grand tapis rond bleu et ses coussins nous invitent à s’installer et perdre peu à peu la notion du temps. 

	&#60;img width="4288" height="2848" width_o="4288" height_o="2848" data-src="https://freight.cargo.site/t/original/i/18d7c43f73381faafe49cf1420d4ecaa144a7f009f2506c029fad2c59011fe09/DSC_0402.JPG" data-mid="65326012" border="0"  src="https://freight.cargo.site/w/1000/i/18d7c43f73381faafe49cf1420d4ecaa144a7f009f2506c029fad2c59011fe09/DSC_0402.JPG" /&#62;
	&#60;img width="4288" height="2848" width_o="4288" height_o="2848" data-src="https://freight.cargo.site/t/original/i/f9b1555abf87d61c4a646c10632bb86da9edfe1a9ce07572ae0e49ed0dbd6a80/DSC_0411.JPG" data-mid="65326089" border="0"  src="https://freight.cargo.site/w/1000/i/f9b1555abf87d61c4a646c10632bb86da9edfe1a9ce07572ae0e49ed0dbd6a80/DSC_0411.JPG" /&#62;
&#60;img width="1826" height="1108" width_o="1826" height_o="1108" data-src="https://freight.cargo.site/t/original/i/ef0ec593d93752cd2861dea045cc41f5a576151bd0d6efe7f36712c97de3ca48/4U3A8226-recadre-autre-web.jpg" data-mid="65326324" border="0"  src="https://freight.cargo.site/w/1000/i/ef0ec593d93752cd2861dea045cc41f5a576151bd0d6efe7f36712c97de3ca48/4U3A8226-recadre-autre-web.jpg" /&#62;

Diffusé sur les 4 hauts-parleurs aux coins de la salle, un ensemble de notes maintenues, vibrant au travers d’une même bouche close, composent et décomposent des harmoniques sonores spatialisées à deux, trois ou quatre notes entrecoupés d’hésitations et de respirations. Les projections de formes lumineuses, renvoyant à l’idée de halos d’un soleil traversant le cadre de la fenêtre, parcourent les surfaces des murs et du plafond suivant un tempo personnel.


Audio &#38;amp; light spatialization : Benjamin Ephise
Voice : Olivia Tampon-Lajarriette

Installation at Villa La Printannière, Wunderkammer 5th platform, Lausanne, June 2019


</description>
		
	</item>
		
		
	<item>
		<title>Hot Marble</title>
				
		<link>https://mariontamponlajarriette.com/Hot-Marble</link>

		<pubDate>Sat, 20 Apr 2019 22:00:07 +0000</pubDate>

		<dc:creator>mariontamponlajarriette.com</dc:creator>

		<guid isPermaLink="true">https://mariontamponlajarriette.com/Hot-Marble</guid>

		<description>Hot Marble


Video installation, tulle, steel, concrete, 2 videos, stereo audio, 5’ loop, 140x187x50 cm,&#38;nbsp;2017/2019


Sound design : Leo Hofmann&#38;nbsp;

&#60;img width="1300" height="867" width_o="1300" height_o="867" data-src="https://freight.cargo.site/t/original/i/a7e02c4e0f4d87c27c89a87d22fe0776e7095cb989ec73490333c966a35d957f/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-10.jpg" data-mid="40476108" border="0"  src="https://freight.cargo.site/w/1000/i/a7e02c4e0f4d87c27c89a87d22fe0776e7095cb989ec73490333c966a35d957f/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-10.jpg" /&#62;


&#60;img width="1300" height="867" width_o="1300" height_o="867" data-src="https://freight.cargo.site/t/original/i/dc26be681be20708fb6c4a441221bcaa75f4befac087209f261b688d7fa81e01/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-15.jpg" data-mid="40476107" border="0"  src="https://freight.cargo.site/w/1000/i/dc26be681be20708fb6c4a441221bcaa75f4befac087209f261b688d7fa81e01/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-15.jpg" /&#62;
&#60;img width="1300" height="867" width_o="1300" height_o="867" data-src="https://freight.cargo.site/t/original/i/a32e54a692f2de56b4b14a1940564dae5fce00d82ab2aacab8b34d6166318a22/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-14.jpg" data-mid="40476106" border="0"  src="https://freight.cargo.site/w/1000/i/a32e54a692f2de56b4b14a1940564dae5fce00d82ab2aacab8b34d6166318a22/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-14.jpg" /&#62;

The hands of curious visitors are caressing marble arms and share their heat with the stone. The sculpture’s members gradually appear as they warm up, reddening under the human caresses filmed with a thermal camera. The double video projections facing multi-layers of veils creates an even more confusing and sensual phenomenon as the images meet and sometimes melt.


Des mains de visiteurs curieux caressent des bras de marbre en y laissant la trace de leur chaleur. Les membres de ces sculptures antiques se dessinent à l’image en se réchauffant, se colorant peu à peu sous l’effet de ces caresses humaines filmées en caméra thermique. L’installation d’une double projection en face à face traversant plusieurs couches d’écrans-voiles fait que les images vidéo se frôlent et se confondent parfois, multipliant la sensualité de ce contact interdit.


&#60;img width="867" height="1300" width_o="867" height_o="1300" data-src="https://freight.cargo.site/t/original/i/58fe0cccb2eea4306d90aea0385a9afde83f22218668b79ed1ff038fe071016b/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-9.jpg" data-mid="40476163" border="0"  src="https://freight.cargo.site/w/867/i/58fe0cccb2eea4306d90aea0385a9afde83f22218668b79ed1ff038fe071016b/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-9.jpg" /&#62;
&#60;img width="1300" height="867" width_o="1300" height_o="867" data-src="https://freight.cargo.site/t/original/i/4b6eebc2de4c0035087ce5a0a9a2909d1c169e8c9ef511e362ee09b3b39ff159/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-18.jpg" data-mid="40476197" border="0"  src="https://freight.cargo.site/w/1000/i/4b6eebc2de4c0035087ce5a0a9a2909d1c169e8c9ef511e362ee09b3b39ff159/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-18.jpg" /&#62;
&#60;img width="1300" height="867" width_o="1300" height_o="867" data-src="https://freight.cargo.site/t/original/i/ad7fac9320a9004ce3ae20c69df434ad0c8ad1de5a2c0889ee43d370e0530bfa/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-17.jpg" data-mid="40476198" border="0"  src="https://freight.cargo.site/w/1000/i/ad7fac9320a9004ce3ae20c69df434ad0c8ad1de5a2c0889ee43d370e0530bfa/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-17.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>8 secondes, 8 minutes</title>
				
		<link>https://mariontamponlajarriette.com/8-secondes-8-minutes</link>

		<pubDate>Wed, 24 Apr 2019 22:28:52 +0000</pubDate>

		<dc:creator>mariontamponlajarriette.com</dc:creator>

		<guid isPermaLink="true">https://mariontamponlajarriette.com/8-secondes-8-minutes</guid>

		<description>8 secondes, 8 minutes&#38;nbsp;


Blueprints on paper, series of 8 elements, 29,5x20,5 cm each, 2018

&#60;img width="3543" height="2362" width_o="3543" height_o="2362" data-src="https://freight.cargo.site/t/original/i/95419d86511b2d0a8e3f9acf93a712ca39c41139c89e33b76d1d6a56f0e41e10/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-6.jpg" data-mid="40785540" border="0"  src="https://freight.cargo.site/w/1000/i/95419d86511b2d0a8e3f9acf93a712ca39c41139c89e33b76d1d6a56f0e41e10/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-6.jpg" /&#62;


“ (...) De cette évanescence bleutée surgit une série d’études de mains. Le motif renvoie à l’appareil préhenseur, plus vieil l’outil de l’homme. En mettant l’accent sur les mains avec lesquelles on accomplit les gestes du quotidien, Marion Tampon-Lajarriette souhaitait rendre hommage à la pratique d’atelier, qu’elle a suivie pour concevoir cette série. Apparaissant sur des pages nues d’un cahier de croquis, les mains reproduites par l’artiste semblent être à chaque fois le fruit fragile d’une journée de travail, la résultante de gestes éphémères et vaporeux qui par répétition donnent au monde sa consistance.”


Valérie Clerc, “Eventide” solo show at gallery Laurence Bernard

&#60;img width="833" height="1160" width_o="833" height_o="1160" data-src="https://freight.cargo.site/t/original/i/fb6b32fc70f81057a78f0929e2b84f381a347ff7ae902f61c86ae32064e41f6e/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-B.jpg" data-mid="40785603" border="0"  src="https://freight.cargo.site/w/833/i/fb6b32fc70f81057a78f0929e2b84f381a347ff7ae902f61c86ae32064e41f6e/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-B.jpg" /&#62;
&#60;img width="836" height="1152" width_o="836" height_o="1152" data-src="https://freight.cargo.site/t/original/i/9b8752ae923ceba15abfbcc787cc3296280fa6057c3a8cd02b2bf73f4f705cfe/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-A.jpg" data-mid="40785601" border="0"  src="https://freight.cargo.site/w/836/i/9b8752ae923ceba15abfbcc787cc3296280fa6057c3a8cd02b2bf73f4f705cfe/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-A.jpg" /&#62;
&#60;img width="826" height="1151" width_o="826" height_o="1151" data-src="https://freight.cargo.site/t/original/i/6a1498c9bf06a096aa434f08caf51b6dc51fe17be8e2477b62e44d684918d273/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-C.jpg" data-mid="40785604" border="0"  src="https://freight.cargo.site/w/826/i/6a1498c9bf06a096aa434f08caf51b6dc51fe17be8e2477b62e44d684918d273/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-C.jpg" /&#62;
&#60;img width="835" height="1164" width_o="835" height_o="1164" data-src="https://freight.cargo.site/t/original/i/d72eb6ae6f491971e624ab293b0b47b67e778eae391c1a242c9a54be90bfe27d/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-D.jpg" data-mid="40785605" border="0"  src="https://freight.cargo.site/w/835/i/d72eb6ae6f491971e624ab293b0b47b67e778eae391c1a242c9a54be90bfe27d/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-D.jpg" /&#62;
&#60;img width="823" height="1146" width_o="823" height_o="1146" data-src="https://freight.cargo.site/t/original/i/8bf22544a949bb92bafae8212c97ab9dce9bf71d1a98fc60287edd8b46e2afb5/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-E.jpg" data-mid="40785606" border="0"  src="https://freight.cargo.site/w/823/i/8bf22544a949bb92bafae8212c97ab9dce9bf71d1a98fc60287edd8b46e2afb5/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-E.jpg" /&#62;
&#60;img width="859" height="1196" width_o="859" height_o="1196" data-src="https://freight.cargo.site/t/original/i/fa1f080a3b1385f2b5ad8267949c58a02b85b6ab7d63d7f6ccbe0e23749947d1/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-F.jpg" data-mid="40785607" border="0"  src="https://freight.cargo.site/w/859/i/fa1f080a3b1385f2b5ad8267949c58a02b85b6ab7d63d7f6ccbe0e23749947d1/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-F.jpg" /&#62;
&#60;img width="877" height="1221" width_o="877" height_o="1221" data-src="https://freight.cargo.site/t/original/i/5728622fa8cf0e247dc3e947cc62315e5ead531d92951dc2458267e53ffbba07/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-G.jpg" data-mid="40785608" border="0"  src="https://freight.cargo.site/w/877/i/5728622fa8cf0e247dc3e947cc62315e5ead531d92951dc2458267e53ffbba07/EVENTIDE_MARION-TAMPON-LAJARRIETTERaphaelleMueller-G.jpg" /&#62;

Exhibition photos : Raphaëlle Mueller - “Eventide” solo show at Galerie Laurence Bernard, Geneva

Hands models : Sabrina Peerally and Dona Cetoute</description>
		
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